If I had to describe how this short
story made me feel in one word I would say surprised—surprised
by the confrontational conversation that takes place inside the “stuffy and
smoky second-class carriage,” surprised by the competitive dynamic between the
characters as they try to quantify each others losses, surprised by how
relatable the feelings of loss were to me even though I have never come close
to experiencing that level of pain, surprised by how real the setting felt
despite it being so foreign, and surprised by how despite the strange behaviour of the parents, their behaviour felt simultaneously oddly familiar. It was only
at the end when Pirandello writes “and, to the amazement of everyone, [he] broke
into harrowing, heart-rendering, uncontrollable sobs,” did I realise why this
was—“War” is ultimately a reflection on the human condition. Pirandello’s
view of human nature is a sad and lonely one. Through his depiction of
the scene in the carriage, as parents argue who is in the worst position,
Pirandello shines a light on our inherently competitive nature. The loss of
their sons, something that should bring these strangers together, ultimately tears them
apart. Pirandello confronted me with the
sad reality that we are often blind to our common humanity because our instincts have become to focus on our differences as opposed to our similarities. It feels strange to describe the final
moment in this short story as beautiful but that is what it is. For in this
moment where the man breaks down, “to the amazement of everyone,” they are
reminded not only of their commonality, but also that no
cause, no justification, no duty to a "country" will make the loss of a child any less heart breaking
and profoundly painful, and that is a sentiment they can all share.
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